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Stephen Jones remembers the first time he saw the Queen with absolute clarity: as a young boy growing up in rural Cheshire, he was enamored by the outfits she would wear while touring the Commonwealth, beamed into his television at home from all four corners of the world. “She was acutely aware of the power of fashion, and I think she was very respectful of the craft of fashion too,” Jones recalls. “She knew that her appearance was a metaphor which could be used in many different ways.” Over the following decades, as Jones became one of the most celebrated and respected British milliners in history, the Queen would become a recurring figure within his work—whether the silkscreened prints he made as part of his art foundation course in 1975, featuring images of the Queen set against a richly colored sky, or the tweed crowns he crafted for Vivienne Westwood, memorably captured by Nick Knight for a cover of i-D magazine in 1987 worn by Westwood herself. “Vivienne adored the Queen’s tweeds as a little girl, so it was completely a tribute,” Jones remembers.
I met Her Majesty at Buckingham Palace a few times, at receptions and cocktail parties, and she was a fabulous host. She was always fascinated by millinery. “Not many of you,” she would say, as it was a craft that she liked to support. She was small in stature, yet still had this huge presence and aura around her. I mean, it was extraordinary. I remember finding it so interesting when she went to the G7 summit in Cornwall a few years ago, and all the world leaders were kowtowing to the Queen. Was she a world leader? I don’t know. But I think she symbolizes a standard of culture, fairness, elegance, propriety, modesty, all of which is so rare. And it was real, where so much is fake. She was real.
When I curated the exhibition at the V&A in 2009, Hats: An Anthology by Stephen Jones, I really wanted to have some royal hats in there. I had a hat that Philip Treacy had made for the now Queen Consort, Camilla, and I also wanted to have a hat from the Queen and the Queen Mother. From the Queen, I asked if I could have an Hermès scarf, because I thought that was one of the most wonderful hats that she had ever worn. She wore it with a bow under her chin—she was the only person in the world who had ever done that. And I probably rehearsed with scarves for a month on a mannequin before I was able to tie it in the way that Her Majesty would have done it. I was very aware that it was a huge honor. The Queen very kindly chose the hat that the Queen Mother had worn on her 100th birthday to be in that exhibition, which was a very defining moment for me. I never made hats for the Queen, but to be involved in that way was a real honor too.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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