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Click here to buy this shirt: Click here to buy Legends Are Never Forgotten The Notorious Big 1972-1977 And Tupac Shakur 1971-1996 Signatures Ornament
Overall, whether or not you can wear a golf shirt with jeans really depends on the specific circumstances. In general, though, this combination can work in casual and relaxed settings. Words do not do the horrid mess that is this movie justice. Sloppy writing and corny fake acting is everywhere, so what sets this film apart from all the other Direct-to-DVD B-movie Hollywood wannabes? For starters, this film is entirely set on a green screen. With the exception of “actors” and the occasional “film props”, this movie is built entirely on clip art and Internet stock footage. We call this horseshit, the director, Lewis Schoenbrun calls this a “comic setting”. I’m not joking. Here’s an excerpt of what he had to say about this film’s universal scorn: In response to the criticisms, director Schoenbrun has stated that the film is supposed to belong in the same vein as films like Who Framed Roger Rabbit
If there’s anything good I can say about The Incredible Bulk, it’s that Lewis Schoenbrun greets criticism with open arms. He doesn’t go around blaming critics unlike some people in Hollywood and even thanked a YouTuber that outright blasted his film in a video for 24 minutes straight: He also responded to a video criticizing the movie made by YouTuber I Hate Everything, telling the creator ‘I welcome all comments good & bad!’ and that his reviews ‘give independent films exposure which they so desperately need.’ I Hate Everything responded, thanking Schoenbrun for being a good sport.
I’ve been thinking about this, and for me, it’s not just politically incorrect movies that I don’t think would get made, but movies that demand a high level of concentration and immersion. Like, for example, Louis Malle’s Vanya on 42nd Street, an amazing movie from 1994 that I don’t think could get made today. Vanya on 42nd Street, if you haven’t seen it, is a film version of David Mamet’s adaptation of Anton Chekhov’s play Uncle Vanya. But instead of starting with the story itself, the movie opens with a couple of casually dressed people wandering into the theatre, take-out coffees in hand, sitting down to watch. The stage, meanwhile, has furniture, but no real set, and the actors, sitting at a table, are wearing their everyday clothes. Jeans, leather jackets. There are empty coffee cups scattered everywhere.
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